Coruscation

He wrestled with the question of how to portray what happens in the private chambers. "Sex scenes in a brothel are so expected that they could be very boring," he said. "I went much more into theater, fetishism, a kind of play." Masks and mirrors are ubiquitous; one prostitute mimics a marionette, while another dresses as a geisha and speaks pidgin Japanese. "These things can tell you more about power relationships than a faked sex scene," he added.

Extending the metaphor of brothel as theater, he likened the madam in "House of Pleasures" to a director committed to putting on a nightly show and consumed by the logistics and economics of doing so. (She is played by the director and actress Noémie Lvovsky, and many of the customers are also played by filmmaker friends, including Xavier Beauvois and Jacques Nolot.)

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The summer before her senior year, though, she took an internship at Goldman. If anything, it left her disillusioned. "I started to feel like it was all a bit of a fraud, all these charts and regressions and models." She turned down the subsequent job offer and took a year to travel to Cuba to shoot a documentary with Cahill. "Living in Cuba made me unafraid of whatever could happen to me. Nothing seemed as scary as waking up at 40 and realizing that I had not lived a very courageous life."

¶ So she moved to Hollywood. The three friends wrote some scripts together but decided they worked better in pairs. "Zal actually had a dream that he was bound and blindfolded and walking down to a basement. And I was like: 'Who was there? Maybe a woman who never leaves!' And we ended up with 'Sound of My Voice.' " Their other film, "Another Earth," which hinges on the discovery of a duplicate planet, came in part from a piece of video art Cahill made in which he interviewed himself in a split screen. "We were like, what if you could confront yourself? What if there was a duplicate you?"

¶ She, too, is haunted by the idea of a duplicate -- another Brit Marling, perhaps one who took the job at Goldman. "If I hadn't met Mike or Zal, I really wonder what I would be doing right now. I wonder if I would even be acting. I can't imagine what it would have been like to do it alone." There may be a duplicate Marling looming in the future as well -- one who perhaps succumbs to all this post-Sundance Hollywood attention and finds herself, say, starring in a romantic comedy opposite Ashton Kutcher. (She just finished filming her first big-budget thriller, "Arbitrage," directed by Nicholas Jarecki and starring Richard Gere.)

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In the definitive document on this issue -- a paper published in December by the Center on Budget and Policy Priorities -- senior fellow Robert Tannenwald notes what he tactfully calls "flaws" in various studies the states have commissioned to justify the subsidy. Even after our recent experience with gullible or mendacious accountants in financial scandals like Enron's, it's actually shocking that reputable accounting firms would pull some of these stunts, such as counting the allowances film crews get paid for expenses as a benefit to the state, then counting the same money again when it is spent. Or assuming without explanation that the average film crew member makes $82,400 a year, when the Bureau of Labor Statistics sets that figure at $35,000. The most outrageous double counting, of course, is telling one state after another that it can bring in billions by enticing the same movies away from other states.

-- Michael Kinsley

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The 22-square-mile town of New Canaan, CT, has concentric circles of one-third-, one-half-, one- and two-acre lots, capped by a swath of homes on four acres or more. About 1,200 apartments and condominiums mingle with roughly 6,000 single-family homes.

Continue reading "New Canaan: Concentric larger, smaller lots sized ring the transact" »

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Paul Newman Dies at 83. Noted screen actor and Datsun, Porsche driver.
Many great performances over four decades. We recommended "The Verdict" (1982).

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BBC, MeFi.

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I Do Nothing All Day, scenery from the streets of NY.

Best of 2006 at Atom Films.

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Y Tu Mama Tambien (2001).
Why did Alfonso Cuaron return to Mexico to make it?

Because he has something to say about Mexico, obviously,
and also because Jack Valenti and the MPAA have made it
impossible for a movie like this to be produced in America.
It is a perfect illustration of the need for a workable adult
rating: too mature, thoughtful and frank for the R, but
not in any sense pornographic.

Why do serious film people not rise up in rage and tear
down the rating system that infantilizes their work?

-- Roger Ebert.

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